Four tools sharing one workspace, each behind its own tab: a video editor, an image generator, a UGC studio and a B-roll studio. Footage, images, voices and scripts stay in the same module, so a batch never has to be exported from one product to be imported into another.
All of it is built for volume rather than for the perfect single asset. Casting, scene, voice and script are controls, so an angle can be written, produced, judged and replaced inside a day.
Say what happens the way you would say it out loud — a homeowner finds out her roof quote was double what her neighbor paid — and the studio writes the piece. Spoken lines, the emotion behind each one, and the actions the actor performs, in order. There is no prompt to engineer and no template to fill in.
Locations are written as part of the story, not left blank for you. A conversation that ends at night on "we will talk about it tomorrow" opens the next morning somewhere that makes sense for it, and each scene carries its setting into the shot it becomes.
Pick faces from the actor library and every line comes back attributed by name, with the tone it is delivered in. A two-hander reads as an actual conversation instead of one person talking twice.
Runtime is a control, and the script is written to a spoken-word budget for it. What comes back runs to the length you asked for rather than being trimmed to fit afterward.
The script is split so that a scene boundary is always a shot boundary. The storyboard and the finished video stay in step, and a single scene can be reshot without disturbing the rest of the piece.
Shot size, angle and movement are tagged between the lines, so framing changes with the beat. The alternative — every shot a head-on talking take — is what makes generated video look generated.
Uniquify All and Uniquify All + Mirror turn one approved asset into a set of genuine variants — crop, mirror, color and encode all differ. Each one is its own creative to test rather than the same file entered twice.
Overlay, flip, uniquify, download, watermark, mirror, blur and background apply straight from the library row. The edits an ad actually needs stop requiring an editing session.
Text panels are built so copy stays legible over any image behind it, with panel height selectable and the headline, button and disclaimer auto-resizing to fit. Unreadable text on a dark photo is the most common way a batch is wasted.
Headlines rotate across three faces and text case mixes capitalized with all caps, so fifty creatives come out visibly varied instead of fifty copies of one design.
Sourcing spans Canva uploads, a local folder, your generation history, stock search and direct upload — matched on actual image content rather than filename, so a search for a subject returns pictures of that subject.
Image-on-top with a text panel, full image with text top and bottom, background with a cut-out overlay, text only, image only. Known-good compositions mean output stays consistent when volume is the goal.
Lines are tagged with the actor's name, physical actions go in brackets, and off-camera voices are marked as phone or off-screen. A two-hander with a phone call is written rather than staged.
The actor library filters by age group, gender and ethnicity, so a script can be cast on purpose and the same read tested against more than one face.
Location, time of day, weather, season and lighting change per video, so one script yields genuinely different creative rather than the same clip revoiced.
Scripts past the per-clip limit are split on sentence boundaries and reassembled into one video, so a 60-second read is not a technical problem.
Unlimited free voices for volume work, a premium engine when the read has to carry, and UGC actor voices to match a face used elsewhere — in US, Canadian, UK, Australian, New Zealand and Irish accents.
Pick a vertical, an angle, a demographic, a tone and a target length, and the script comes back at that word count — because a 58-second read has to actually be 58 seconds.
A straight product read, first-person narrative, case study, myth-versus-reality and news-peg framing. Tone is a setting, so one offer can be written several ways and tested — and every version is still yours to check against the advertising policies of the platform it runs on.
ACA, auto insurance, bathroom remodel, debt relief, final expense, HELOC, home insurance, home services, windows, life insurance, Medicare, roofing, senior benefits and veteran benefits are built in, so the generator starts from the vocabulary of the market instead of from nothing.
9:16, 16:9 and 1:1 export from the same assembly, so one creative covers feed, story and reel without a re-cut.